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Before returning to academia, I worked for ten years as an actor in regional and independent theatres, and still perform today. I am a founding member of the New York Neo-Futurists, an award-winning ensemble of writer-performers who have been producing work in New York City since 2004 (the company received New York Independent Theatre Awards for performance art in 2006, 2011, and 2017, and were nominated for Drama Desk awards in 2011 and 2014).  I'm also a member of Actors Equity working locally in Buffalo, New York--most recently at the Kavinoky Theatre, where I performed as Heidi Schreck in her Pulitzer finalist play, What The Constitution Means to Me

You can see some video samples of my performance work here


Selected credits:

The Infinite Return, The New York Neo-Futurists, The Kraine Theatre, NYC, 2023.

What The Constitution Means to Me, Kavinoky Theatre, 2023

Deathtrap, Lancaster Opera House, 2019

STATIONS, Torn Space Theatre, 2018

The Infinite Wrench Smashes the Patriarchy, 2017

Kraine Theatre, New York

Too Many Ladies Smash the Patriarchy, 2016

Kraine Theatre, New York

Too Many Conference Papers . . . , 2013

Performance Studies international, Palo Alto


Spin The Bottle, Annex Theatre, Seattle, 2012

Medium Cool, 2012-3

House Harold Team, iOWest, Los Angeles

Too Much Light Makes The Baby Go Blind, 2004-2007
Kraine Theatre, New York

New York Times Review.

2006 Recipient of the NYIT Outstanding Performance Art Production Award

Apocalypse Neo, 2007
Kraine Theatre, New York


the new jalopy, 2006  (with Alethea Adsitt and Company)

Dance New Amsterdam, New York

New York Times Review.

You Must Take The A Train, 2005

People's Improv Theatre, New York

Tightening, 2005
The Belt, New York

Licking Spalding Gray, 2002

On The Boards (12 Minutes Max), Seattle

Stage Door, 2002

Annex Theatre, Seattle


TempOdyssey, 2001

Hothouse at Annex Theatre, Seattle

Christmas In Babylon, 2001,
The Little Theatre, Seattle


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