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Before returning to the academy, I worked for ten years as an actor in regional and independent theatres. I am a founding member of the New York Neo-Futurists, an award-winning ensemble of writer-performers currently in residence at the Kraine Theatre in Manhattan, and a member of Actors Equity. 

I also devise work with my students, and will direct them next in the Neo-Futurists' 45 Plays for 45 Presidents, on University at Buffalo's mainstage, and in our Contemporary Play Reading Series.

Selected devised work and performance credits:

STATIONS, Torn Space Theatre, 2018

The Infinite Wrench Smashes the Patriarchy, 2017

Kraine Theatre, New York

Too Many Ladies Smash the Patriarchy, 2016

Kraine Theatre, New York

Open Studio: an evening of student work, 2014

Katharine Cornell Theatre, University at Buffalo

Too Many Conference Papers . . . , 2013

Performance Studies international, Palo Alto


Medium Cool, 2012-3

House Harold Team, iOWest, Los Angeles

Too Much Light Makes The Baby Go Blind, 2004-2007
Kraine Theatre, New York

New York Times Review.

2006 Recipient of the NYIT Outstanding Performance Art Production Award

Apocalypse Neo, 2007
Kraine Theatre, New York


the new jalopy, 2006  (with Alethea Adsitt and Company)

Dance New Amsterdam, New York

New York Times Review.

You Must Take The A Train, 2005

People's Improv Theatre, New York

Tightening, 2005
The Belt, New York

Licking Spalding Gray, 2002

On The Boards (12 Minutes Max), Seattle

Stage Door, 2002

Annex Theatre, Seattle


TempOdyssey, 2001

Hothouse at Annex Theatre, Seattle

Christmas In Babylon, 2001,
The Little Theatre, Seattle


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