PERFORMANCE
Before returning to the academy, I worked for ten years as an actor in regional and independent theatres. I am a founding member of the New York Neo-Futurists, an award-winning ensemble of writer-performers currently in residence at the Kraine Theatre in Manhattan, and a member of Actors Equity.
I also devise work with my students, and will direct them next in the Neo-Futurists' 45 Plays for 45 Presidents, on University at Buffalo's mainstage, and in our Contemporary Play Reading Series.
Selected devised work and performance credits:
STATIONS, Torn Space Theatre, 2018
The Infinite Wrench Smashes the Patriarchy, 2017
Kraine Theatre, New York
Too Many Ladies Smash the Patriarchy, 2016
Kraine Theatre, New York
Open Studio: an evening of student work, 2014
Katharine Cornell Theatre, University at Buffalo
Too Many Conference Papers . . . , 2013
Performance Studies international, Palo Alto
Medium Cool, 2012-3
House Harold Team, iOWest, Los Angeles
Too Much Light Makes The Baby Go Blind, 2004-2007
Kraine Theatre, New York
2006 Recipient of the NYIT Outstanding Performance Art Production Award
Apocalypse Neo, 2007
Kraine Theatre, New York
the new jalopy, 2006 (with Alethea Adsitt and Company)
Dance New Amsterdam, New York
You Must Take The A Train, 2005
People's Improv Theatre, New York
Tightening, 2005
The Belt, New York
Licking Spalding Gray, 2002
On The Boards (12 Minutes Max), Seattle
Stage Door, 2002
Annex Theatre, Seattle
TempOdyssey, 2001
Hothouse at Annex Theatre, Seattle
Christmas In Babylon, 2001,
The Little Theatre, Seattle